Max Ernst painting techniques (workshop)

Schloss Wilhelmineberg

28

Schönbrunn

 

  

  

                                           

                                         

Snowy morning. Vienna

"Walked in the cold air
Freezing breath on a window plane
Lying and waiting
A man in the dark in a picture frame
So mystic and soulful
A voice reaching out in a piercing cry
It stays with you until
The feeling has gone only you and I
It means nothing to me
This means nothing to me
Oh, Vienna
The music is weaving
Haunting notes, pizzicato strings
The rhythm is calling
Alone in the night as the daylight brings
A cool empty silence
The warmth of your hand and a cold grey sky
It fades to the distance
The image has gone only you and I
It means nothing to me
This means nothing to me
Oh, Vienna"

(Ultravox, Vienna)

London: Friday...

Friday

by Ann Drysdale

 
The print of a bare foot, the second toe
A little longer than the one which is
Traditionally designated "great".
Praxiteles would have admired it.

You must have left in haste; your last wet step
Before boarding your suit and setting sail,
Outlined in talcum on the bathroom floor
Mocks your habitual fastidiousness.

There is no tide here to obliterate
Your oversight. Unless I wipe or sweep
Or suck it up, it will not go away.
The thought delights me. I will keep the footprint.

Too slight, too simply human to be called
Token or promise; I am keeping it
Because it is a precious evidence
That on this island I am not alone.